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Impressum
WOOOOOAAAAAHHHHAHAHAHAHAHAH!! WIEGEILWIEGEILWEIGEIL!!!
A DRAMATIC SURPRISE ON A QUIET SQUARE
(by turnerbenelux)
Übernommen von: TRUEBELIEVER59
Ursprünglich von: TRUEBELIEVER59
So. Und das ist für mich und die Kinder.
Übernommen von: Hello!
Ursprünglich von: Ghibli Studio
Thomas Newman
American BeautyReview
American Beauty won the 2001 Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media.
American Beauty was nominated for the 1999 Academy Awards For Best Original Score.
Shortly after the release of the American Beauty soundtrack — which featured tantalizing excerpts from Thomas Newman’s music bookending a collection of pop songs — came the release of the full score. From the film’s haunting main theme and “Any Other Name” to the witty, percussive “Dead Already”, “Choking the Bishop”, and “Mr. Smarty Man”, Newman’s score evokes as much feeling and humor as the film itself does. Even more so than the first volume of the soundtrack, the score from American Beauty is a necessity for the movie’s fans.
Original score composed by Thomas Newman.
Gute Erinnerungen an schlechte Zeiten. Die Szene mit der Plastiktüte ist mit das größte, was ich an Film kenne.
(Source: javiercarrete)
Übernommen von: shinyslingback's art blog
Ursprünglich von: Javier Carrete
Schaut euch das Ende an. “But Arnold is very clever”. Für @HilliKnixibix , sort of
via asdlkjgf
via @unfolded
via zak
Das ist nett gemacht.
“A Life on Facebook”. Fuck romance, I mean: transfiguration.
Directed by Maxime Luère. Music by The Rolling Stones: “Paint It Black”. Nuff said.
(Source: Mashable)
Übernommen von: uvmann.com
Ursprünglich von: uvmann.com
All Tarkovsky Films Now Free Online | Open Culture
via @ineshaeufler
Made by students in Montreal. One shot. No cut.
Double-rainbow!!!
Yosemitebear Mountain Giant Double Rainbow 1-8-10 (via Hungrybear9562) “Oh my goddddd! Oh my goddddd!”
Übernommen von: Something Changed.
Ursprünglich von: Something Changed.
WOOOOHOOOO! via @Lichmalerin
Lenny Kravitz crashes the VOP Choir in New Orleans for “Fly Away”
via Rashomon (1950, dir. Akira Kurosawa)
“[The three assistant directors on Rashomon] found the script baffling and wanted me to explain it to them. ‘Please read it again more carefully,’ I told them. ‘If you read it diligently, you should be able to understand it because it was written with the intention of being comprehensible.’ But they wouldn’t leave. ‘We believe we have read it carefully, and we still don’t understand it at all; that’s why we want you to explain it to us.’ For their persistence I gave them this simple explanation:
‘Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings–the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave—even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.’”-Akira Kurosawa
Übernommen von: Old Hollywood
Ursprünglich von: Old Hollywood
In 1979, Philip Glass composed music for a series of unnumbered animation pieces for Sesame Street, titled, “Geometry of Circles.”
Übernommen von: BRITTICISMS
Ursprünglich von: BRITTICISMS
via @schoenetexte Schließe mich der Janelle Monáe Hysterie vollumfänglich an.